Rescue Rangers in which Chip walks down Hollywood Boulevard, glaring down the ads for the latest creatively bankrupt offerings from the industry he left behind for a sensible job in insurance.
Behind them, a full moon bears the dual silhouettes of the Bat-Signal and Elliott on his flying bike. “That one,” Chip grudgingly admits, “looks pretty good.”
Chip and Dale Rescue Rangers is well aware that, as a combination live-action and animated sequel to the Disney show of the same name, it’s as much a product of the current IP hellscape as any of these spoof titles
Chip and Dale Rescue Rangers has more in common with Who Framed Roger Rabbit than it does the series with which it shares a name — to the point where Roger makes a cameo.